Here's a cheery seasonal project. The mini-tote makes an ideal bon voyage gift when filled with a small treat. The construction is one-piece, and there's a bit of fun raffia-lacing to do.
Here's your free design file:
PillowBoxTote.pdf
PillowBoxTote.svg
PillowBoxTote.studio3
Use an embossing tool to mark the cut-out pattern piece. Score around the boat-shaped base piece. Also score the tote side turn-backs. Crease the scored lines, paying special attention to the banana-shaped base.
Cut a piece of raffia bout 50cm (20in) long. It is scrunched up (raffia is like that!). Open out the raffia and cut it in half lengthwise. Thread one half into a tapestry needle. Knot the end. Draw it through the hole on the top left (knot on underside). Wrap the raffia around and under each spoke, pulling taut as you go. When you get to the end of the row, run the raffia under the side, then continue on the bottom row of spokes in the opposite direction. Knot the end of the raffia on the underside.
Apply 3mm(1/8in) double-sided tape to the basket sides. Carefully join front to back, matching edges. Tie a raffia bow at top, using a piece of leftover raffia from the other half of the cutting.
Happy summer. :)
Thursday, 22 June 2017
Sunday, 11 June 2017
How to Draw Type and Influence People, by Sarah Hyndman. Review.
An Activity Book
By Sarah Hyndman
Laurence King Publishing 2017
Paperback, £12.99
Star rating: ****
This is a hands-on exploration of the psychology of
typography with a high fun factor. It is
an interactive learning experience (not to be confused with a colouring book)! :) The author, Sarah
Hyndman, is a graphic designer and public speaker (check out her fab TEDx talk on YouTube). The purpose of the exercises in the book are to put the user
in touch with how type style can influence opinion and intrigue the viewer –
the goal: unleashing the power of
typeface literacy. Actually drawing a
typeface provides an understanding of its construction and suitability of
purpose. A happy coincidence is that
drawing type is a skill many papercrafters aspire to acquire!
Fun exercises include Font Sniffing – describing the scent a
particular typeface evokes, Font Personalities (serifs = knowledgeable, Sans
serifs = informative and easy going). There’s a super-fun chapter on Wild West
Fonts (recognizable by their slab serifs and catchwords – groups of words offset by decorative flourishes which were
set on a single printing block). Another exercise has fun with futuristic typefaces
(there’s a sci-fi font gallery). Design
your own monogram and ligatures (joined letters – like the ampersand).
At the back of the book is some handy info – a Visual Type
Glossary (type anatomy and terms), plus a bibliography – so you can continue on
your journey.
This book would make a super gift for just about anybody who
wishes to learn about the power of type. It would be ideal choice for an older
child with an inkling of an interest in graphic design. Learning the lessons within can make for more
effective visual communication skills, be it on a blog or in your own personal communication and creative endeavours.
Note: I was given a
review copy of this title.
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